Explore Pat’s board “Arte Ostrogodo ()” on Pinterest. | See more ideas about Byzantine architecture, Byzantine art and Medieval. Arte en la cultura Bárbara Arte Ostrogodo Características: Arte Lombardo Caracteristicas: Arte Franco Caracteristicas: Arte Visigodo. This Pin was discovered by Marlen Soto Barquero. Discover (and save) your own Pins on Pinterest.
|Published (Last):||5 March 2012|
|PDF File Size:||9.7 Mb|
|ePub File Size:||16.38 Mb|
|Price:||Free* [*Free Regsitration Required]|
The church has an octagonal plan. The building combines Roman elements: The final cost amounted to 26, solidi gold pieces.
Taken on September 17, However, there is some confusion as to whether this is the Saint Vitalis of Milan, or the Saint Vitale whose body was discovered together with that of Saint Agricola, by Saint Ambrose in Bologna in Done. Furthermore, it is thought to reflect the design of the Byzantine Imperial Palace Audience Chamber, of which nothing at all survives. However, there is some confusion as to whether this is the Saint Vitalis of Milan, or the Saint Vitale whose body was discovered together with that of Saint Agricola, by Saint Ambrose in Bologna in The Church of San Vitale — styled an “ecclesiastical basilica” in the Roman Catholic Church, though it is not of architectural basilica form — is a church in Ravenna, Italy, one of the most important examples of early Christian Byzantine Art and architecture in western Europe.
The church was begun by Bishop Ecclesius inwhen Ravenna was under the rule of the Ostrogoths, and completed by the 27th Bishop of Ravenna, Maximian in during the Byzantine Exarchate of Ravenna. A igreja tem um plano octogonal.
Inspectoratul Scolar al Municipiului Bucuresti
The church is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. Iniziato grazie ai finanziamenti di Giuliano Argentario, istrogodo banchiere ravennate, su ordine del vescovo Ecclesio nelvivente ancora Teodorico, e consacrato nel dall’arcivescovo Massimiano, quando Ravenna era ormai da sette anni sotto il dominio bizantino, questo edificio, summa dell’architettura ravennate, elabora e trasforma precedenti occidentali e orientali portando alle estreme conclusioni il discorso artistico iniziato poco dopo l’editto di Costantino del The construction of the church was sponsored by a Greek banker, Julius Argentarius, of whom very little is known, except that he also ostrogdoo the construction of the Basilica of Sant’ Apollinare in Classe at around the same time.
The architect of this church is unknown. The art is of extreme importance in Byzantine art, as it is the only major church from the period of the Emperor Justinian I to survive virtually intact to the present day. According to legend, the church was erected on the site of the martyrdom of Saint Vitalis.