Guillaume Du Fay. Opera Omnia 01/ Ave Regina caelorum 3. Edited by Alejandro Enrique Planchart. Marisol Press. Santa Barbara, Guillaume Du Fay. Opera Omnia 01/ Ave regina caelorum 1. Edited by Alejandro Enrique Planchart. Marisol Press. Santa Barbara, Ave regina caelorum. composer. Guillaume Dufay (c). mids. author of text. Anonymous – liturgical. Antiphon to the Blessed Virgin Mary, from the.
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Ave Regina coelorum a 3 (Dufay, Guillaume)
Stylistically it distinguishes itself from earlier motet styles in its use of the cantus firmus. Dufay ‘s use of texture likewise presages the style of the Josquin generation in his use of different paired voice combinations.
This sung prayer has long occupied a prominent place in western music history on account of the deeply expressive nature of its utterance, clearly audible to us more than five centuries after its composition. Sexy Trippy All Moods.
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As exemplified in the work under consideration, this trend toward greater expressivity became more pronounced dhfay the so-called “tenor motet,” which was not obligated to meet the same liturgical demands as the mass.
Vale, valde decora Et pro nobis sancte Christi exora.
Streams Videos All Posts. Go to the text. Perhaps the most distinctive aspects of the piece, however, are the personalized interpolations with which Dufay tropes the antiphon text.
It is almost as if Dufay is consciously appealing to the prayers—and sensibilities—of a future age, one which, like presumably his own, could not fail to miss the poignancy of his utterance. Ave regina caelorum Ave domina angelorum Miserere tui labentis Dufay Ne peccatorum ruat in ignem fervorum. In excelsis ne damnemur Miserere nobis et iuva Ut in mortis hora nostra Sint corda decora. Jazz Latin New Age. Drinking Hanging Out In Love.
Ave regina caelorum – Hyperion Records – CDs, MP3 and Lossless downloads
The site is also available in several languages. Gaude gloriosa, super omnes speciosa, Miserere, miserere supplicanti Dufay sitque in conspectu tuo mors eius speciosa. reginaa
Latin Ave regina coelorum, Ave domina angelorum, Miserere tui labentis Dufay, ne peccatorum ruat in ignem fervorum. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Track-specific metadata for CDH track Have mercy on your supplicating Dufay, that in your sight his death may be beautiful.
In fact, at the beginning of the motet, before the tenor even enters with the cantus firmus, the three other voices take turns “foreshadowing” the antiphon melody; thus, when the tenor finally appears, the cantus firmus does not seem like a sturdy structural pillar so much as the natural outgrowth of a series of imitative entries.
Ave Regina caelorum (Guillaume Dufay) – ChoralWiki
Hyperion offers both CDs, and downloads in a number of formats. Rejoice, glorious virgin, beautiful above all others. For more information, contact us at the following address: Die innigste Anrufung der Jungfrau dieser CD ist die letzte: Genre Choral Classical Vocal Music.
Its popularity perhaps derives from its position near the juncture between the architectonic approach to form inherited from the isorhythmic motet of de Vitry and Machaut in the fourteenth century and the more flowing and expressive contours dufxy would characterize vocal music of the mature Renaissance.
Submitted by Emily Ezust [ Administrator ] Authorship by Bible or other Sacred Texts”Ave regina coelorum”, the Marian Antiphon [ author’s text not yet checked against a primary source ]. Whereas in Dufay ‘s famous Nuper rosarum flores fromfor example, the tenor is rendered in long notes that serve as a kind of undergirding, the tenor in Ave regina is given a more clearly defined rhythmic profile, one that embeds it more seamlessly within the overall polyphonic fabric.
Hail queen of heaven, hail mistress of the angels, have mercy on your erring Dufay lest through sin he may fall in the fire of intoxication. Share on facebook twitter tumblr.