Brecht verstand das epische Theater nicht als absoluten Gegensatz. Brecht – Dürrenmatt – Handke, Frankfurt am Main Arntzen, Helmut, ” Komödie und episches Theater”, DU, 21, , S. Barbon, Paola, Il Signor B.B. And whenever Brecht writes about “Historisierung,” there is invariably a He would later reject the term “episches Theater” as being “zu formal” (GBA, ), .
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Epic theatreGerman: Epic theatre is bbrecht most often associated with the dramatic theory and practice evolved by the playwright-director Bertolt Brecht in Germany from the s onward.
Its dramatic antecedents include the episodic structure and didactic nature of the pre- Expressionist drama of the German playwright Frank Wedekind and the Expressionist theatre of the German directors Erwin Piscator with whom Brecht collaborated in and Leopold Jessnerboth of whom made brecth use of the technical effects that came to characterize epic theatre.
He wished to block their emotional responses and breccht hinder their tendency to empathize with the characters and become caught up in the action.
They were to disregard inner life and emotions while emphasizing stylized external actions as signs of social relationships. Gesture, intonation, facial expression, and grouping were all calculated to reveal overall attitudes of one character toward another.
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Learn More in these related Britannica articles: While still providing entertainment, it should be strongly didactic and capable of provoking social change. In the realistic theatre of illusion, he argued, the spectator tended to identify…. Calling his approach epic realism, he stressed that the stage of a realistic theatre must be peopled by live, three-dimensional, self-contradictory people, with all their passions, unconsidered utterances, and actions. Expressionismbredht style in which the artist seeks to depict not objective reality but rather the subjective emotions and responses that objects and events theatet within a person.
Theaher artist accomplishes this aim through distortion, exaggeration, primitivism, and fantasy and through the vivid, jarring, violent, or dynamic application of formal…. The epic theatre of Brecht staging In theatre: The influence of Piscator In theatre: The influence of Brecht.
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